I was recently invited to attend a blogger's preview of the Four Seasons Centre for the Performing Arts, the new home for the Canadian Opera Company and the performance venue for the National Ballet of Canada.
First ... How cool is it that the COC held a blogger's preview? (Answer: *very* cool.) Kudos to the COC for starting to engage local bloggers as a channel for getting the word out about. About 10 or so local bloggers were invited and the COC was incredibly gracious and supportive during the preview and follow-up.
The tour was led primarily by Gary McCluskie of the architectural firm Diamond & Schmitt. McCluskie was charming, effusive and clearly passionate about the promise the the Four Seasons Centre holds for the COC and for Toronto in general. Themes about the building and its construction that were repeated:
Accessibility ... from a physical point of view (about 50% of the Centre's 2000 seats are located off of street level), an architectural perspective (the walls that face the main intersection of Queen & University are glass and the overall feel of the building is open and breathe-able) and a cultural level (the Centre will be hosting free lunchtime concerts in the City Room (the main atrium) where people can drop in, bring their lunch and hear some great music).
Acoustic Driven Design ... all surfaces, all building materials, all shapes were chosen to enhance the accoustics of the auditorium. Now, I don't know a lot about accoustic design (and kinda zoned out during some of the description) so I'm just going to put in this little tidbit from a Globe and Mail article about the Centre, "50 mm-thick Venetian plaster on the ceiling and balcony fronts creates a hard finish that ensures good bass response. The plaster is slightly mottled to prevent a shrill, tinny response. Hard, resonant wood is used throughout the auditorium to reflect and boost the low-end frequencies - floors are maple while screens and other wood details are beech." Rockin. Oh, yeah, and the auditorium is structurally isolated. It is effectively a building inside a building, formed with double concrete walls. This construstruction eliminates structure borne noise (another cool phrase I learned on the tour), so well, in fact, that the auditorium has been given a top acoustic isolation rating.
Personal & Passionate ... in addition to McCluskie's comments about the relationship between the building and its locale, directors of the COC's PR & Marketing departments talked about the new opera house facilitating a more personal relationship (and hence a more passionate one) with its patrons and the city itself.
My impressions? The Centre is beautiful. The simple materials of wood and glass with other understated architectural details offer clean lines and an uncluttered canvas on which to present opera and ballet performances. Now, I happen to like opera, but I know that it's not everyone's cup of tea. The COC realises this and is continually looking for ways to make either it, or at least the space, more relevant and meaningful to people.
Washrooms ... The COC is going to be putting on the Ring Cycle in Sept. That is some *long* opera. So, I checked. Just how many washrooms are there? 100 washroom stalls, 2/3 of them for women. Overall washroom:patron ratio - 1:20 (standard North American ratio is 1:30 - way to go, Four Seasons Centre!) For more interesting facts and tidbits, check out the Four Seasons Centre FAQ.
So, if you've not been to the opera, now's the time to go. Especially if you're under 30. The COC's Opera for a New Age is one of the best programs going. $20 seats. Ahh, to be under-30 again.
Many thanks to the wonderful staff of the COC and to Eli Singer for arranging this preview. I've posted my full set of photos over at Flickr in my "Canadian Opera Company Blogger Preview Tour" set; you can also see them and other bloggers' photos using the Flickr tag canadianoperacompany.
I'll see you at the opera. Don't forget your glasses! Oh, and watch out, the new wood floors are a little slippy.
Tags: COC, Four Seasons Centre, opera, toronto
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